NIRVANA SLASH ARCHIVE

"I think it's one of grunge's greatest legacy, is actually the killing off of misogyny in rock for quite a while. You know? I mean, really, it was very passe to be a misogynist in rock there for a while. And that was helped by guys like the guys in Nirvana, and the guys in Pearl Jam, and bands like us [L7], and Babes In Toyland, and Lunachicks, and then Riot Grrrl later. So, yeah, I think that's a big deal."

-Donita Sparks, 21 Jul 2015, Women of Rock Oral History Project

"They really liked the studio's monitors, because they were so huge-sounding. When Been A Son was done, Kurt and Krist asked, 'Can we dance on the tables?' They jumped on one table and I jumped on another, and as we listened to the song, we rocked."

-Steve Fisk, engineer & producer, remembers a Sept. 1989 recording session (Jan. 2005 Mojo Magazine)

Artwork of Nirvana by Kurt on a drumhead.

""I don't think he [Kurt] had a hell of a lot of friends," [Matt] Lukin recalls. "He was always trying to start bands, but it was hard to find people who wouldn't flake out on him." [Buzz] Osborne introduced him to Novoselic, a shy youth so tall (he's six feet seven) that he bumped his head on the beams in Cobain's house. Cobain formed a band with this kindred spirit two years his senior. [...]

A vandal with a cause, Cobain loved to spray-paint the word "queer" on four-by-four trucks, the redneck vehicle of choice. Other favorite graffiti included "God is gay" and "Abort Nirvana Christ." In 1985, Novoselic, Osborne, and 18-year-old Cobain wrote "Homosexual Sex Rules" on the side of an Aberdeen bank (Osborne swears it said "Quiet Riot"). While Osborne and Novoselic hid in a garbage dumpster, Cobain was caught and arrested. A police report lists the contents of his pockets: a guitar pick, a key, a beer, a mood ring, and a cassette by the militant punk band Millions of Dead Cops."

-16 Apr 1992, Rolling Stone magazine

Interviewer: So, I'm assuming they just approached you and asked you to contribute a song* and you said yeah...

Krist: Here's a song from the AIDies. You wrote that song in the AIDies, Kurt. What period were you in?

Kurt: [pauses, joke hits him] Shut up.

Dave: Third period after lunch...

All three: [snickering]

Interviewer: I'm supposed to ask some general AIDS questions. Do you think contributing to something like this, that music can be used as a way to educate people about AIDS?

Krist: You know, as long as it raises money for treatment and hospices and things, that's what really turned me on, that it helped people who were suffering. As far as information, I get so much information, to speak for myself, I don't even know what the heck's going on.

Kurt: The record isn't going to give you any information. The money will.

Krist: Yeah. There's so many theories out there, is HIV even--

Dave: --having anything to do with AIDS?

Krist: --does it lead to AIDS? It's really hard. So, I guess the best thing you can do is help the people who are suffering from it.

Interviewer: Krist, I guess in some recent interviews you've tried to steer away from political subjects, so as not to be pigeonholed as the political one.

Krist: Heavy-handed. Yeah, there's no reason to dwell on it, because I'm just a bass player in a rock'n'roll band. Just go on and on and on about things. And you can talk all you want, but the main thing is that you should be doing things, and that's not just for me, that's for everybody, you know? Why talk about things in the media and then just go home and drink beer...

Kurt: Yeah, it's much more effective to do a benefit for Bosnian rape victims and come up with--[turns to Krist] How much money did we make for that, you know?--

Krist: Fifty-five grand.

Kurt: Yeah, I mean, that makes way more of an impact than talking about it.

Krist: And we got this organization called Balkan Women's Aid Fund--and [to interviewer] maybe you can flash the address and you can send donations to them--and we're working with women's groups in Croatia and Austria and Hungary and Serbia, and in Bosnia-Herzegovina, so we don't have any nationalist ties whatsoever. A lot of these women are just caught in the middle of it all, women and children, and so I'm just pluggin' away at that, still. I haven't given up and I just take advantage of the media and just mention the address, and if people want information they can write and I'll send them information back. But to just harp away on things, over and over again, people lose interest, you know.

We could be like We Are The World, on stage celebrating famine in Africa. You know [sings] "We are the world!" and there's kids, while they're doing that, totally starving to death. It's gross.

Interviewer: You went over to Bosnia...

Krist: I went to Croatia, I didn't go to Bosnia, no way. I wouldn't do that for Bob Guccione, Jr! [founder of Spin magazine, who assigned Krist to report on the Bosnian war for Spin]

All three: [laugh]

-24 Sept 1993

Kurt: "I've already broke three guitars that I liked a lot, and I regretted it the minute I left the stage, but whatever, I can't do anything about it. It's out of my control."

Interviewer: "Where did you pick up this habit?"

Kurt: "I guess it's linked to a feeling of insecurity. In the beginning of Nirvana, we had a drummer that wasn't very good in my opinion. Out of rage and disgust, I sometimes left the stage throwing material. I realized that people liked it. And me, too, I loved doing it at the climax of the show. It compensated for not having a light show. I really don't know why I do that. I think it's the typical attitude of a frustrated little white guy. It also makes me feel alive."

-interview by Youri Lenquette, 23-25 Jan 1992 (from Cobain on Cobain by Nick Soulsby)

Tracy Marander (Kurt's [first?] girlfriend):

I know that some people will say that I treated Kurt maternally, took care of him, but I like to think it was more trying to nurture him, rather than take care of him.
Try to nurture who he was and try to get him to--let him do his art, let him do his music, and encourage him to get better at it as opposed to trying to stifle it. But also not try to be a mom, but trying to be a nurturing girlfriend. Or friend.

We met at a party. You know, I liked him, I had a crush on him. And then finally somebody told him, 'Don't you get that she likes you?' or something, cause he was just kind of clueless about it, you know.

I liked that he was funny. He made me laugh. He wasn't afraid to be goofy or silly. But mostly we just had a good time hanging out.

-2015, Montage of Heck film

"I met these fellow teenagers, they were in this band called the Melvins. Buzz Osborne was the guru. And he turned me on to American hardcore music, which is like the second generation of punk in the United States. This really independent music - it wasn't on major labels. And there was this whole scene that was independent, it wasn't part of the corporate structure, it wasn't part of the state structure, it wasn't part of the mainstream entertainment complex. And it was vital; there was a lot of great music, and there was this community of young people. And we'd go to punk rock shows and there would be like, fanzines - this was before the internet. [...]

I got into the music scene and the culture of it, then I met this other kid in Aberdeen. His name was Kurt Cobain. And we shared this interest with this music and I was playing guitar and he played guitar, and, 'Well, let's start a band!' and we found a drummer. And then I started playing bass. Kurt was very artistic - he was always painting, sculpting, writing, music, always doing something. And so we started our band and that creativity came out and we had our own identity.

Dave Grohl was in 1990, we went through a few drummers. Kurt and I drove to Los Angeles from Tacoma, WA, which is like a 14 hour drive. We slept in our van in a parking lot on I-5 somewhere. We came here [L.A.] and we talked to some music industry people to get a major label deal. [...] And then we took our leisurely drive back north, 'Let's stop in San Fransisco and see Buzz and Dale from the Melvins.' And Buzz is like, 'Hey, Scream is playing!' 'Oh, we love Scream!' [...] They had this drummer who was really good and played this really big drumset, and I met him briefly and we talked to Buzz, like, 'Wow, what a cool drummer.'

And then Kurt and I drove up 101, we went up north. I think we found a cat. We stopped somewhere on the Oregon coast and this cat came up. We found this cat. Gave it a home. And then we get a call from Buzz, he says 'Hey, man, Scream went down to L.A. after San Francisco and their bass player split. And they're just broke at the singer's sister's house.' [...] And Dave was stuck in L.A. and he got enough money to get a plane ticket and his drumset and he came up and started playing with us, and we were hooked. It gelled right away."

-Krist on how Nirvana formed, Young Turks Interview 2014

Rolling Stone: What was that last year like?

Dave Grohl: "You just never knew. There were times when the room was lit up with energy and happiness, and there were times when the vibe was like the fucking plague. The last year, being in that band was rough. There was a whole lot of dark shit going on. At that point I was living this wonderful, healthy life outside the band, but when I'd enter a band environment, that all changed. It wasn't a lot of fun. But when Pat Smear joined the band, it changed everything. We went from being fucking sulking dirtbags to kids again. It changed our world. He's the sweetest person in the world. He became really close with Kurt. There was laughter."

(2005)

"[...] when "Teen Spirit" first came out, mainstream audiences were under the assumption that we were just like Guns N' Roses.

Then our opinions started showing up in interviews. And then things like Chris and I kissing on Saturday Night Live. We weren't trying to be subversive or punk rock; we were just doing something insane and stupid at the last minute. I think now that our opinions are out in the open, a lot of kids who bought our record regret knowing anything about us. [Laughs]"

-Kurt, The Advocate 1993